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But that’s why Defeater is so compelling, they don’t give into any scene-standards. It’s formula free, devoid of cliches.
While lo-fi will always rub some the wrong way, it will also always find an audience with those who value youthful enthusiasm over chops.
Mixed in with some four “Conjure Commercials,” Ludacris’ main goal on this mixtape is to simply let know about his new liquor, but he does it with some clever rhymes as well.
Listening to Contra is like having a hangover on a sunny day. I don’t care how happy it is, it’s too much. Slow down, try playing in a minor key, use your natural voice. Who are you, really?
If there’s one style I’d like to see find a quiet place to die in 2010, it’s the disaffected, out-of-tune, and reverb-awashed excuse for rock music that infected Brooklyn over the last two years.
Vado really does the heavy lifting on this mixtape. While he sounds a little bit like Cam’ron and has the same flow, he’s pretty smooth on all the hooks and a lot of his lines are actually better than Cam’s.